Contemporary cinema has always been a tale of stereotype love stories or junk comedy driven solely by male/female actor's charm.This is not an overnight shift but a phased change from the content or moral-driven cinema of the previous times when films like Prahaar,Bavarchi and even comedies like Golmaal(Hrishikesh Mukherjee) used to be socially driven dramas unlike the fast food movies of coeval times.
Its quite difficult these days to get away from the fact that comedies have abruptly brought even the serious actors(like Akshay Kumar) to a whole new level(mostly southwards).Rakeysh Omprakash Mehra has always proven to be someone who taps the today's young guns' energy with a little something (and that comedy stuff) for the aam aadmi. It all started with Rang De Basanti, which had a social message amalgamated into its secularly-knit body and had the sensible/practical comedy while preventing it from digressing into a categorical one....Everything about the cast was energetic and so was the script..The Delhi-born director continues with his mindframe of social fabric and beautifully blends the facts and feelings in characters and dialogs with the content-driven yet melodious and amazingly energetic music(again by A.R. Rahman)...Delhi 6 is the continuation of that built-up trust of RDB with the audience which would have otherwise caused some sort of outrage because of the language used or the visibly Hindu-mythology dominance in the film...But in the end you get a strong feeling of oneness, of togetherness and an entertaining movie..hats off for bringing pragmatism to an exaggeration based industry...
